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Hang Hyun CHO, "George Washington Presidential Library." Cutaway axonometric.
ann arbor MICHIGAN

University of Michigan, Taubman College of Architecture and Urban Planning
critic: James Michael TATE.

suckerPUNCH: Describe your project.

Hang Hyun CHO: Architecture and art have always been closely related. However, pop culture, has rarely linked itself to architecture.

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SPUR, "Architecture Next Now."
san francisco CALIFORNIA

Many newer architectural practices in the Bay Area are establishing compelling trajectories in their work through the utilization of new thinking and innovative design mediums. . . .

event: “Architecture Next Now” with IwamotoScott, Thom FAULDERS, First Office, Endemic, & more.
Wednesday, 07/27 and 08/24
6.00 p.m. (opening) / SPUR Urban Center Gallery
654 Mission Street
San Francisco, California 94105

[RSVP]

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Jeisler SALUNGA, "House 1-2-3-4." Longitudinal section.
los angeles CALIFORNIA

UCLA
critic: Neil DENARI.

suckerPUNCH: Describe your project.

Jeisler SALUNGA: House 1-2-3-4 primarily focuses on sequencing program and framing them in elevation. The house utilizes the pitched roofs to give each house a clear formal identity and elicit a sense of domesticity and vernacular.

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Jennifer BONNER (MALL), "Best Sandwiches."
cambridge MASSACHUSETTS

Five Things to Note about Best Sandwiches . . .

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Ömer PEKIN, "Nonce Object." Installation photo.
los angeles CALIFORNIA

SCI-Arc
advisor: Elena MANFERDINI.

suckerPUNCH: Describe your project.

Ömer PEKIN: Nonce Object is an experiment towards the creation of a multitude of readings of an architectural work. A nonce word is a word coined for a singular occasion to solve a communication problem where a nonexistent word is needed. A nonce object is this thesis’ coined term for a new type of formal organization that is indeterminate to the category it fits.

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Botio KUO & Austin ANDERSON, "Massive Relief."
los angeles CALIFORNIA

SCI-Arc
critic: Darin JOHNSTONE.

suckerPUNCH: Describe your project.

Botio KUO & Austin ANDERSON: Buildings become monolithic when the scale of its members become small enough or ubiquitous enough to be erased by the presence of the whole object.

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Zack MATTHEWS, "Electric Garden."
cambridge MASSACHUSETTS

Harvard GSD
critics: Cristina DIAZ MORENO & Efrén GARCÍA GRINDA.

suckerPUNCH: Describe your project.

Zack MATTHEWS: As seen in great historical London typologies such as the Gentlemen’s Club, or Josef Paxton’s Great Stove of Chatsworth, the city and culture of London has been a main thoroughfare of new programs and typological imaginations based on highly specific cultural desires and current needs of public space.

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Alexander BAHR, "inSPIRE REVOLUTION." Interior rendering.
philadelphia PENNSYLVANIA

PennDesign
critic: Jonathan SCELSA.

suckerPUNCH: Describe your project.

Alexander BAHR: This project set out to explore how graphic design principles can be used and exploited in architecture. In doing this, the project tries to validate the writings of Hans Hollein in “Everything is Architecture” that explain how architecture, as an extension of the human sphere, is a medium of communication which can transmit a specific expression.

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KWERB (Wayne ERB & Kaysey Ann THOMAS), "Mute Icon."
brooklyn NEW YORK

Pratt Institute GAUD
critic : David RUY.

suckerPUNCH: Describe your project.

KWERB (Wayne ERB & Kaysey Ann THOMAS): The studio focused on the problem of the Monument. How does a place like Washington D.C. determine what it should look like? What should America look like? What types of principles are we seeking to project with our Aesthetic goals?

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Rome CAO, "Obstinate Sphere." Model.
los angeles CALIFORNIA

SCI-Arc
critic: Marcelo SPINA.

suckerPUNCH: Describe your project.

Rome CAO: This thesis interrogates the constantly evolving relationship between liminal figures in architecture to produce cohesion and a state of contradiction simultaneously.

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