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Lydia KALLIPOLITI & Andreas THEODORIDIS, "Guinea Pigs: A Minor History of Engineered Man."
new york NEW YORK

A research project of experimental history and immersive scholarship for the 3rd Istanbul Design Biennial, “Are We Human” curated by Beatriz Colomina and Mark Wigley.

The naturalist, in the nineteenth century, was not only a man skilled in careful observation and documentation of plants and organisms, but also a brave traveler whose physical endurance and fortitude magnified his given bodily capabilities. . . .

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Gary POLK & Jung Jae SUH, "Vessel of Worlds."
philadelphia PENNSYLVANIA

University of Pennsylvania, PennDesign
critic: Simon KIM.

suckerPUNCH: Describe your project.

Gary POLK & Jung Jae SUH: In a quest to machine bewildering worlds for localized experiences, the Vessel is a conglomeration of multiple synthetic natures, constantly in flux.

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Woodbury SOA, "Continuous Urbanity."
los angeles CALIFORNIA

Japan Travel Studio 2016
Woodbury University, School of Architecture
critics: Matthew GILLIS, Donatella CUSMA, & Ingalill WAHLROOS-RITTER

The Woodbury School of Architecture Japan Travel Studio fieldwork focused on the production of a continuous drawing series exploring distinct cities in Japan: Tokyo, Kyoto, and Osaka.

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ArchitectScripta, "RepetiGrid."
athens GREECE

ArchitectScripta is organizing an Advanced Architectural Design Workshop in Athens, Greece during December 2016, under the title “RepetiGrid.”

Advanced Architectural Design Workshops with ArchitectScripta
Athens WORKSHOP: 12/12–12/22 @ Benaki Museum.

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Stefan KLECHESKI, Yingjing MA, & Siwei REN, "Cute Seams/Seems Cute." Exterior Rendering.
ann arbor MICHIGAN

University of Michigan
critic: Matias DEL CAMPO.

suckerPUNCH: Describe your project.

Stefan KLECHESKI, Yingjing MA, & Siwei REN: How specific can we get about the “cute”? Aren’t architects always pursuing an aesthetics of the “interesting,” “complex,” “beautiful,” “refined”? And do these sell as well as the “cute”? How can cuteness be deployed in architecture?

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Molly MASON & Zherui WANG, "Culture Cultures: The Biosentient City."
princeton NEW JERSEY

Princeton SoA
critic: Liam YOUNG.

suckerPUNCH: Describe your project.

Daniele Profeta: Contemporary remote sensing technologies are altering our understanding as well as our relationship with the Landscape. . . .

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Anhuar FARAH, "Architecture in Drag."
los angeles CALIFORNIA

SCI-Arc
advisor: Florencia PITA.

suckerPUNCH: Describe your project.

Anhuar FARAH: The drag queen is a self-identified man who has no desire to live as a woman nor become a woman, yet mocks hyper-femininity and ridicules female gender stereotypes. . . .

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Jitendra SAWANT, "Gurgaon NOW."
frankfurt GERMANY

Staedelschule Architecture Class
critic: Peter TRUMMER.

suckerPUNCH: Describe your project.

Jitendra SAWANT: In the past few decades, Gurgaon, a city 32km outside New Delhi, has risen from a former agricultural wasteland into the millennium city.

250 of the top fortune global 500 companies have their offices in Gurgaon. It considered as the IT and call center capital of India and almost perhaps of the world. . . . It is one of the fastest growing cities of India. . . .

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Zaid Kashef ALGHATA, "3:288."
los angeles CALIFORNIA

SCI-Arc
advisor: Darin JOHNSTONE.
special advisor: Neil DENARI.

suckerPUNCH: Describe your project.

Zaid Kashef ALGHATA: Extrusion plays a fundamental role within the discipline of architecture. It is a form of geometric projection that creates representations of objects that maintain a fixed cross-sectional outline. In plan, a line is extruded to situate a wall; in section, a curve is extruded to create a barrel vault.

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Gilles RETSIN, "KarlsPlatz I & II."
london UNITED KINGDOM

Karls Platz I & II are two unsubmitted proposals which were worked out for the competition for a new museum at the historic Karlsplatz in Vienna. Both proposals make are based on the same decision to arrange the museum program over three large floor slabs. Both proposals are partially based on the repetition of a single, discrete element which is then assembled into a highly differentiated building.

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