advisor: Eric Owen MOSS.
suckerPUNCH: Describe your project.
Ryan Tyler MARTINEZ: This thesis recored 1,606 items | http://daytum.com/ryantylermartinez
An Architect has an ego. An architect is not easily influenced. An Architect has no affiliation to anyone but themselves. (We all agree) Maybe we’re all wrong.
Recently Edward Snowden was in the news for leaking classified documents from the NSA, documents that disclosed the collection of private information of people, organizations and governments around the world. This project asked a question: “what are the subjectivities that are in the world that architecture hasn’t already found a place for?” Possibly the answer to that question is personal data of the architect.
The title of the thesis is Breadcrumb; Complexity and Curation, Intricacy and the Individual. I want architecture to assert its authorship’s process formally; an accurate narrative of a buildings conception. I was dealing with personal statistics of myself to try and represent contingency in architecture. I was using an application by the information graphic artist Nicholas Felton called Daytum to record every subjectivity that came into contact with the thesis over a three-month period. I recorded things like what I ate, who I talked to, where I went, what books I was reading, what websites I was visiting, the conversations I was having with Eric Owen Moss. I’m arguing that these somewhat superfluous activities have a large effect on the final outcome of a finished project. Maybe we should talk about them. Simultaneously, I’m taking that information and trying to use it as some type of architectural device or trying to solve it as some type of architectural problem.
The thesis goes from a series of precedent study drawings to the design of a curated house in Antwerp, Belgium. (See RyanTylerMartinez.com) The site of the house is the home of Peter Paul Rubens. I picked the site for two reasons. First, we all know Rubens as a Northern Baroque painter, but a lot of us don’t know Rubens as an architect. When Rubens was a student in Italy, he worked on about 120 architectural drawings, he studied Michelangelo, he studied the body. And when he was done, he went back to Belgium and he built a house called the Rubenshuis. I used the site of the Rubenshuis because it had no positive or pejorative connotations within the discipline of architecture. Second, I was interested in reenacting the design of a house from an architect who was at the peak of his academic career and the beginning of his professional endeavors.
In conclusion, the thesis recorded 1,606 personal statistics that simultaneously represented the process of every part of the thesis and were used as an agent for design within the parts that generated the thesis. My conversations with Eric Owen Moss were recorded and transcribed into a 108 page book. The drawings are at 1:1 scale of the physical model which is the standard size of a movie poster and printed on 4′x8′ sheets of construction material. All this information was an attempt to understand and follow the bread crumbs throughout my summer.
sP: What or who influenced this project?
RTM: This project was influenced by 1,606 subjectivities.
Personal Subjectivities: Bathroom (391.0), Shower (90.0), Sex (27.0), Run (25.0), Gas (8.0), Laundry (7.0), Echo Park (5.0), Moca (2.0), Hair Cut (2.0), J6 (2.0), Bank (1.0), Car Wash (1.0)
Food: Croissant (51.0), Veggies (37.0), Fries (36.0), Salad (25.0), Chicken (21.0), Rice (17.0), Pizza (17.0), Pasta (17.0), Eggs (15.0), Tacos (14.0), Sandwich (11.0), Soup (11.0), Cookie (10.0), Chicken Wrap (10.0), Cake (8.0), Sausages (7.0), Beans (7.0), Burger (7.0), Grill Cheese (6.0), Popcorn (6.0) Guacamole (5.0), Shrimp (5.0), Banana (5.0), Spring Rolls (4.0), Bread (4.0), Steak (3.0), Sushi (3.0), Pie (3.0), Tuna (2.0), Cheese (2.0), Hummus (2.0), Fish (2.0), Chicken Poutine (2.0), Brownie (2.0), Peanuts (1.0), Lamb (1.0), Hash Browns (1.0), Bagel (1.0), Hotdog (1.0), In-N-Out (1.0), Cook At Home (1.0), Fruit (1.0), Bacon (1.0), Grits (1.0), Omelet (1.0), Meatballs (1.0), Apple (1.0), Calamari(1.0)
Locations: Glendale (6.0), Pasadena (5.0), USC (3.0), LACMA (2.0), The Standard (2.0), Santa Monica (2.0), Target (2.0), Home Depot (2.0), Venice (2.0), McMaster Carr (2.0), Lax (1.0), Malibu (1.0), Hollywood (1.0), Lower Point (1.0), Manhattan Beach (1.0), Dodgers Stadium (1.0),Ikea (1.0), Burbank (1.0),
Liquids: Water (187.0), Coffee (161.0), Orange Juice (60.0), Beer (59.0), Coke Zero (14.0), Sweet Tea (13.0), Cappuccino (12.0), Wine (9.0), Lemonade (9.0), Naked Juice (3.0), Coke (2.0), Gatorade (1.0), Cool Lime (1.0)
Faculty / Teachers: Eric Owen Moss (10.0), Marcelo Spina (2.0), Elena Manferdini (2.0), Todd Gannon (2.0), Amit Wolf (1.0), Devin Weiser (1.0), Ramerio Diaz Grandos (1.0), Andrew Zago (1.0), Peter Testa (1.0), Eui Sung Yi (1.0), Emmanuel Petit (1.0), Andrew Atwood (1.0)
sP: What were you reading/listening to/watching while developing this project?
RTM: Books: Data Flow 2 (10.0), Information Graphics (7.0), Visionary Architecture (2.0), Rubens and Architecture (2.0), Morphosis Design Peak 10 (2.0), Richard Meier Architecture (1.0), Color Index (1.0), Nine Chains To The Moon (1.0), 101 Things I Learned In Film School (1.0), Atlas Of Novel Tectonics (1.0), Theory Of Art History by J. Emerling (1.0), Log 28 (1.0)
sP: Whose work is currently on your radar?
RTM: Joseph Kosinski, Gmunk, Sagmeister & Walsh.
Additional credits and links:
Acknowledgements: William Crothers, Cody Miner, Anthony Morey, Ricardo Lledo, Austin Samson, and Natalia Varada.
SCI-Arc Director: Eric Owen Moss.
Director of Academic Affairs: Ming Fung.
Graduate Programs Chair: Hernan Diaz Alonso.
Undergraduate Program Chair: John Enright.
Chief Operating Officer: Jamie Bennett.
Graduate Thesis Coordinator: Elena Manferdini.
Visiting Critic: Jeffrey Kipnis.