Digital Poetics: An Open Theory of Design-Research in Architecture celebrates the architectural design exuberance made possible by new digital modelling techniques and fabrication technologies. By presenting an unconventional and original “humanistic” theory of CAD (computer-aided design), the author suggests that beyond the generation of innovative engineering forms, digital design has the potential to affect the wider complex cultural landscape of today in profound ways.
The book is organised around a synthetic and hybrid research methodology: a contemporary, propositional and theoretical discursive investigation and a design-led empirical research. Both methods inform a critical construct that deals with the nature, forms, and laws of digitality within a contemporary architectural discourse that affects practice and academia.
The chapters spiral at, from, towards, around, outside-inwards and back inside-out digitality, its cognitive phenomena, spatial properties and intrinsic capabilities to achieve, or at least, approach Digital Poetics. The book presents speculative and small-scale constructed projects that pioneer techniques and experiments with common 3D and 4D software packages, whereby the focus lies not on the drawing processes and mechanics, but on the agency and impact the image (its reading, experience, interpretation) achieves on the reader and observer.
Contents: Foreword; Preface; Introduction: advolution; Devolution; Evolution; Involution; Revolution; Conclusion: deconvolution; Bibliography; Index.
Digital Poetics: An Open Theory of Design-Research in Architecture
Illustrations: Includes 95 colour and 223 b&w illustrations
Published: December 2013
Format: 220 x 240 mm
Extent: 302 pages
Series : Design Research in Architecture