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  • Jacob HARTZELL & Gregory INGALLS, "Forum des Halles 2040."
    los angeles CALIFORNIA

    SCI-Arc
    critics: David RUY with Stefano PASSERI.

    suckerPUNCH: Describe your project.

    Jacob HARTZELL & Gregory INGALLS: A glitch within architecture can be achieved (and in our minds most successfully achieved) by copying. Doubling of an object estranges both the copy and its original. We used the process of copying as a strategy to create obscene results.

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  • Stefano PASSERI, "Inside, Thing." Model.
    los angeles CALIFORNIA

    SCI-Arc
    critic: Hernan DIAZ ALONSO

    suckerPUNCH: Describe your project.

    Stefano PASSERI: “Inside and Outside are inseparable, but they’re different worlds. Outside, everything is clear: comfortable distance, 45-degree daylight from top left, you know where you stand, you calculate and measure. . . .”

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  • Dust Breeding (Single-Family House)
    los angeles CALIFORNIA

    SCI-Arc
    critic: Hernan DIAZ ALONSO

    suckerPUNCH: Describe your project.

    Stefano PASSERI: Dust Breeding deals with the legibility of amorphous forms in an almost familiar landscape. The forms and the landscape are independent of each other and are governed by independent rules. At the same time, what is initially mere coexistence, gradually determines unexpected moments of empathy resulting in new sets of relationships.

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  • Fused Volumes, Massive Joints, Nervous Edge
    los angeles CALIFORNIA

    instructor: Tom Wiscombe, SCI-Arc – MArch2 Program

    suckerPUNCH: Describe your project.

    johannes BECK & stefano PASSERI: The project’s goal was to combine techniques developed in an initial exploration on digital drawing, with a building-scale proposal sited in West Hollywood (Sunset Blvd, Holloway Drive intersection). The approach to the architecture starts from the main programmatic elements: office space, three auditoria, and a large public garden. We decided to give each of these ‘blocks’ an independent generic volume. The resulting intersecting boxes are connected via a language of ‘joints’ – a direct consequence of our intention to avoid booleaning the middle. A spacious, central, mostly interior void becomes the indirect by-product of this move.

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