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 Homayoun Ismael ZARYOUNI, "SKIN; HIDES; MASS."
los angeles CALIFORNIA

SCI-Arc
critic: Hernan DIAZ ALONSO.

suckerPUNCH: Describe your project.

Homayoun Ismael ZARYOUNI:
This is a ghost Cultural Center proposal for the ghost city of Kilamba, Angola. Built by Chinese developers, occupied by families of the 220 units sold out of 2800*; a dream reality occurs. Surrounded by empty acres, a “furry” oasis ensues.

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David Brian HARROP & Zachary Michael KILE, "Tribeca Rock." Model.
philadelphia PENNSYLVANIA

PennDesign
critic: Kutan AYATA.

suckerPUNCH: Describe your project.

David Brian HARROP & Zachary Michael KILE: Tribeca Rock is a speculative response to the vacant Pier 26 on Manhattan’s West Side.

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Matias del CAMPO.
barcelona SPAIN

The lecture’s focus is on the multiplicitous relationships between form, architectural lineages, materialization, the desires of things, and contemporary moods within the work of SPAN.

lecture: Matias del CAMPO, “The Ontological Catastrophe of Messy but Precise Aesthetics.”
Tuesday, 01/17
9.30 p.m. / Lower Gallery
IAAC
Carrer de Pujades, 102
08005 Barcelona, Spain

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Andrew HOLDER, curator, "The Kid Gets out of the Picture."
cambridge MASSACHUSETTS

The vocabulary of early nineteenth-century picturesque landscape architecture is almost entirely alien to contemporary ears. Clumps, lumps, masses, groups, belts, hollows – these are a few of a vast catalog of objects that once belonged to design and have long since been absorbed into colloquial ubiquity. While the disciplinary meaning of these terms requires historical recovery, the project around which they were organized is entirely familiar.

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Olivia LU-HILL, "Flaneur Factory."
ann arbor MICHIGAN

University of Michigan, Taubman College of Architecture and Urban Planning
critics: Clement BLANCHET & Jono STURT.

suckerPUNCH: Describe your project.

Olivia LU-HILL: This studio’s aim was to create a proposition for the Montparnasse Tower in Paris, infamous for being tall and out of place, the glass cladded skyscraper sits in the middle of the quaint low-rise limestone city. My project examines the issue of nostalgia and preservation historical architectural identity in a modernizing city.

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Nawid PIRACHA, "Dead Air Space." Section.
los angeles CALIFORNIA

UCLA A.UD
critic: Neil DENARI.

suckerPUNCH: Describe your project.

Nawid PIRACHA: Sometime in the near future, the high-rise tower will no longer be seen as an expression of corporate wealth or singularity. Current projections indicate a migration from suburban and rural to urban environments.

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Lydia KALLIPOLITI & Andreas THEODORIDIS, "Guinea Pigs: A Minor History of Engineered Man."
new york NEW YORK

A research project of experimental history and immersive scholarship for the 3rd Istanbul Design Biennial, “Are We Human” curated by Beatriz Colomina and Mark Wigley.

The naturalist, in the nineteenth century, was not only a man skilled in careful observation and documentation of plants and organisms, but also a brave traveler whose physical endurance and fortitude magnified his given bodily capabilities. . . .

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Gary POLK & Jung Jae SUH, "Vessel of Worlds."
philadelphia PENNSYLVANIA

University of Pennsylvania, PennDesign
critic: Simon KIM.

suckerPUNCH: Describe your project.

Gary POLK & Jung Jae SUH: In a quest to machine bewildering worlds for localized experiences, the Vessel is a conglomeration of multiple synthetic natures, constantly in flux.

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Woodbury SOA, "Continuous Urbanity."
los angeles CALIFORNIA

Japan Travel Studio 2016
Woodbury University, School of Architecture
critics: Matthew GILLIS, Donatella CUSMA, & Ingalill WAHLROOS-RITTER

The Woodbury School of Architecture Japan Travel Studio fieldwork focused on the production of a continuous drawing series exploring distinct cities in Japan: Tokyo, Kyoto, and Osaka.

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ArchitectScripta, "RepetiGrid."
athens GREECE

ArchitectScripta is organizing an Advanced Architectural Design Workshop in Athens, Greece during December 2016, under the title “RepetiGrid.”

Advanced Architectural Design Workshops with ArchitectScripta
Athens WORKSHOP: 12/12–12/22 @ Benaki Museum.

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