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  • NOITEM
    lichtervelde BELGIUM

    suckerPUNCH: Describe your project.

    Nick ERVINCK: NOITEM is one of my most recent works. These works will be respresented as huge lightboxes. As a Rorsach-stain, these works have no single-point perspective and can be interpreted in different ways. For this series I don’t use my trademark color yellow but push the boundaries with very poetic and mysterious results. Desperately we try to search for forms we recognize but these creations don’t seem to fit in any category. Floating in an infinite space, the serie is like a shadow of the past. You can compare it in a way to “nachbilder” or “afterimages”: optical illusions we see for the short moment after we looked directly into the sun.

    [MORE]

  • interview with TRONIC
    new york NEW YORK

    vivian ROSENTHAL and jesse SEPPI discuss Tronic studio and their interests in the tension between physical and virtual worlds, the body as interface, augmented reality, sci-fi, and of course Powerisers.

    [CLICK FOR TRONIC INTERVIEW]

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  • cave of forgotten dreams
    chauvet cave

    Werner Herzog dives into the Chauvet Cave in southeastern France with 3d cameras to capture an amazing view into Paleolithic cave painting with 21st century visualization techniques. The film is the first truly great use of 3d in rethinking cinematic space. The cave’s warped surfaces and cinematic like drawings bulge and layer to create a sensation of depth not seen before in the cineplex. With Werner’s wry narration hovering over the dreamy vineyards, rivers, and caves of the region the movie is mesmerizing mix of ideas and visuals. And a few albino alligators never hurt

    [TRAILER]

    [3D FILM DISCUSSION]

    [MORE]

  • cave of forgotten dreams
    chauvet cave

    Werner Herzog dives into the Chauvet Cave in southeastern France with 3d cameras to capture an amazing view into Paleolithic cave painting with 21st century visualization techniques. The film is the first truly great use of 3d in rethinking cinematic space. The cave’s warped surfaces and cinematic like drawings bulge and layer to create a sensation of depth not seen before in the cineplex. With Werner’s wry narration hovering over the dreamy vineyards, rivers, and caves of the region the movie is mesmerizing mix of ideas and visuals. And a few albino alligators never hurt

    [TRAILER]

    [3D FILM DISCUSSION]

    [MORE]