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  • the cosmetic limit
    los angeles CALIFORNIA

    suckerPUNCH: describe your project.

    naureen MEYER: Operating at an increased degree of the superfluous, the expanse and ability of the cosmetic effect to transform the identity of architecture is tested. Much like the relationship of makeup to the human face, the cosmetic enhances and creates illusion in existing features. In The Cunning of Cosmetics, Jeffrey Kipnis describes the effect as more “visceral than intellectual, more atmospheric than aesthetic.” The effect is an intrinsic essence; its power lies in its subtle meshing between face and makeup and the ambiguous border it creates between the two.

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